Let’s hear it in context without the AKG.
I’ve got them soloed, let’s bypass the effect.
Lastly, let’s take a listen to the AKG on backup vocals.
#Neve 1073 preamp plugin full
We’ve got this guitar that originates in the left channel, and then the reverb is applied, and we sort of have this ghostly wash of a reverb that helps the guitar sit within the mix, but also just sounds nice and more interesting.ĭefinitely sounds a little bit more full with this direct option engaged, if that’s what you want. Volume for left and right, and then pan, so what we’ve got going on here is I panned the reverb all the way to the right. We’ve got pre-delay, and then we’ve got linkable or un-linkable decay time for left and right.
We’ve got a wet solo, so we hear nothing but the effect, or if we don’t want to solo the effect, we’ve got a dry/wet, in this case, I did want wet solo. We’ve got controls over separate tanks, they have their own tone. By enabling the direct right here, it sort of imparts its own character and adds some warmth and mid-range information to it. This direct button right here - the unit has its own sound to it. Let’s give you an introduction to the controls. Let’s listen one more time with the Neve bypassed. You really hear the airiness, the throatiness of the background vocals, and in context, it just really helps them cut through, which is already a really dense arrangement. We’ve got this giant stack of backup vocals here, so let’s make sure they’re selected and let’s take a listen in context without the Neve. Show you how it performs on backup vocals. I found that you can make really drastic changes without the EQ breaking up, and even when it does break up, it’s a pretty desirable sound. Then you can see right here that I did pretty drastic cutting at the output to make up for the fact that I’m doing a lot of boosting with the EQ. Next we’ve got control over the low or high impedance, which is not going to make too much of a difference here.Ī pad, which is going to make a big difference. We’ve got again a pretty drastic boost here at 110 for the low shelf. Let’s take a listen to this filter.ġ.6kHz always does a pretty decent job on guitars helping them come through. I am boosting a whole heck of a lot at 1.6kHz right here. We’ve got this shelf, I did a little bit of cut, just to get rid of some high end. So I’m going to fool around with these knobs and show you how I arrived at these settings, alright? So it might get loud. So let’s take a listen to this electric guitar with the plug-in bypassed and with the guitar in context.ĭefinitely helps the guitar sit in its own space and cut through effectively. And of course, the ability to turn the whole thing off or on. Over here, we’ve got control over low or high impedance, which is very effective when using this in Unison with the Universal Audio Apollo preamps.Ī 20dB pad, input fader, and output.
We have control over the frequency right here, and then a high pass filter.Īdditionally, we have the ability to turn the EQ on and invert phase if we’d like. We’ve got the ability to boost or attenuate at about 360 all the way up to 7,200. We’ve got control over mic or line level input, a high shelf, which is at 12kHz, a mid-bell filter.
#Neve 1073 preamp plugin pro
Make sure to check out The Pro Audio Files for additional audio content, and if you’d like to skip ahead to hear these in action, feel free to do so.įirstly, let’s take a look at the Neve 1073.
#Neve 1073 preamp plugin how to
With these plug-ins, I’ll be showing you how to give your track a vintage feel. In today’s plug-in profile, I’ll be introducing you to the UAD Neve 1073 preamp and equalizer, and AKG BX20 Spring Reverb. Greetings! My name is Ian Vargo and I’m with The Pro Audio Files.
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